“The old pulpit became an evil, the moment it obtained unlimited power,” answered Mrs. Denton. “It originated persecution and inflamed men’s passions against one another. It, too, preached war for its own ends, taught superstition, and punished thought as a crime. The Press of to-day is stepping into the shoes of the medieval priest. It aims at establishing the worst kind of tyranny: the tyranny over men’s minds. They pretend to fight among themselves, but it’s rapidly becoming a close corporation. The Institute of Journalists will soon be followed by the union of Newspaper Proprietors and the few independent journals will be squeezed out. Already we have German shareholders on English papers; and English capital is interested in the St. Petersburg Press. It will one day have its International Pope and its school of cosmopolitan cardinals.” What about Hilda? No hope of hiding their secret from those sharp eyes. But Hilda would approve. They could trust Hilda. The child might prove helpful.!

She woke late the next morning. Her father had already left for the works. She was rather glad to have no need of talking. She would take a long walk into the country, and face the thing squarely with the help of the cheerful sun and the free west wind that was blowing from the sea. She took the train up north and struck across the hills. Her spirits rose as she walked. It was all so sweet and restful. Religion had never appealed to her before. The business-like service in the bare cold chapel where she had sat swinging her feet and yawning as a child had only repelled her. She could recall her father, aloof and awe-inspiring in his Sunday black, passing round the bag. Her mother, always veiled, sitting beside her, a thin, tall woman with passionate eyes and ever restless hands; the women mostly overdressed, and the sleek, prosperous men trying to look meek. At school and at Girton, chapel, which she had attended no oftener than she was obliged, had had about it the same atmosphere of chill compulsion. But here was poetry. She wondered if, after all, religion might not have its place in the world—in company with the other arts. It would be a pity for it to die out. There seemed nothing to take its place. All these lovely cathedrals, these dear little old churches, that for centuries had been the focus of men’s thoughts and aspirations. The harbour lights, illumining the troubled waters of their lives. What could be done with them? They could hardly be maintained out of the public funds as mere mementoes of the past. Besides, there were too many of them. The tax-payer would naturally grumble. As Town Halls, Assembly Rooms? The idea was unthinkable. It would be like a performance of Barnum’s Circus in the Coliseum at Rome. Yes, they would disappear. Though not, she was glad to think, in her time. In towns, the space would be required for other buildings. Here and there some gradually decaying specimen would be allowed to survive, taking its place with the feudal castles and walled cities of the Continent: the joy of the American tourist, the text-book of the antiquary. A pity! Yes, but then from the aesthetic point of view it was a pity that the groves of ancient Greece had ever been cut down and replanted with currant bushes, their altars scattered; that the stones of the temples of Isis should have come to be the shelter of the fisher of the Nile; and the corn wave in the wind above the buried shrines of Mexico. All these dead truths that from time to time had encumbered the living world. Each in its turn had had to be cleared away.

“I thought you were something,” answered the girl. “I’m an artist. Or, rather, was,” she added after a pause. “Why did you give it up?” asked Joan. “They were His last words, too,” he answered: “‘My God, my God, why hast Thou forsaken me?’”